musolife.com
Rhinegold Cons Handbook

MyMUSO LoginClick here to register

Subscribe to Muso Muso Magazine direct to your door.

Latest edition
  • Home
  • News
  • MyMuso
  • Blogs
  • Muso Card
  • Magazine
  • Features
  • Reviews
  • G Spot
  • Concerts
  • Competitions
  • Classifieds
  • Directory
  • Gi's a Job
Shop
Podcast
Big Noise
Forum

Denis Patkovic

Home / Features  /  Denis Patkovic
  • Profiles
    • A Royal Affair: Cellist Tony Woollard
    • Amy Dickson
    • Blake
    • The Irrepressibles
    • Denis Patkovic
    • Sir Gilbert Levine
    • Daniel Bernard Roumain
    • Lukas Ligeti
    • Gabriela Montero
    • Karen Geoghegan
    • View all Profiles
  • School Days
    • Leeds College of Music
    • City University London
    • University of Reading
    • The University of Leeds
    • Yale University
    • University of Wales, Bangor
    • Royal Conservatory of Music
    • Guildhall School of Music & Drama
    • Cardiff University
    • Cleveland Institute of Music
    • View all School Days
  • Wired World
    • Video killed the classical star?
    • The Met: Live in HD
    • Instant concert recordings
    • Slicethepie.com
    • Getting your music online
    • Last.fm
    • Second Life
    • Musicians collaborating online
    • Classical podcasting
    • Computer-generated music
    • View all Wired World
  • Gi's a Job
    • Going solo: Tom Norris
    • Composing for computer games
    • Composing for children's TV
    • Hospital musicians
    • Costume supervisor
    • Classical music television
    • Sound engineering
    • Piano tuner
    • Music lawyer
    • Teaching amateur musicians
    • View all Gi's a Job
  • Other Features
    • Just beat it
    • Patrick Rapold
    • The Mozart Effect: A musical joke?
    • Rootless
    • There have never been walls
    • View all Other Features
 

POLL

Q Is the role of understudy taken seriously enough?
Submit vote
Profiles

Denis Patkovic

01 August 2008

German accordionist denis patkovic tells chris horkan why he’s intent on establishing his instrument in the classical discipline

Denis Patkovic

Think of the accordion and you're likely to picture buskers playing traditional folk music on the streets of European and Russian towns and cities. But the free-reed instrument, patented in 1829 by Austrian inventor Cyrill Demian, has been remodelled as a classical instrument.

'There are two different types of piano accordion,' says classical accordionist Denis Patkovic, 'with standard bass for entertainment music, and free bass so I can play the same tune on the left as the right.'

The free bass model emerged in the 1940s and in the intervening 60 years has allowed musicians such as 27-year-old Patkovic to expand the accordion repertoire to include classical works including Bach's Goldberg Variations, which he has recorded for his debut CD.

Patkovic was born in Calw, Germany into a Yugoslavian family, which, he says, influenced his musical choice early on: 'In the Balkan countries the accordion is the main instrument so as a child I listened the whole time to folk music from there. I was so fascinated with this instrument that by the age of five or six I felt only to play accordion and nothing else.'

'The most crazy thing is when someone asks me, "You can really study accordion?"'

Learning the accordion, he says in his first English-language interview, can be difficult: 'There is a bellow between the sides that you have to open and close, and at the same time you have to move your left hand and move your body. It's not so easy to combine everything.'

He adds: 'And the most crazy thing is when someone asks me, "You can really study accordion? Is it really possible? Why do you have to study?"'

At 13 Patkovic took up free bass accordion, having already decided that he wanted to play for more than just a hobby. He later studied at the music universities of Trossingen and Würzburg before his big break: a scholarship allowing him a year's study of performance practice of baroque music, with special focus on Bach, at Helsinki's Sibelius Academy.

Patkovic stayed on at the academy following his exchange year - and, a year into his PhD, the first fruits of his labour have emerged in the form of his June-released debut disc on the Hänssler Classic label.

Page 1 of 3  View the full article    Next >

Share

  • Facebook
  • Myspace
  • Digg
  • Delicious
  • reddit
  • StumbleUpon
  • Print
  • Email to friend
  • Discuss
Muso subs ad
Muso
Rhinegold Publishing, 239-241 Shaftesbury Avenue, London WC2H 8TF  Tel: 020 7333 1720   Fax: 020 7333 1765  Email: enquiries@rhinegold.co.uk
Company Reg number: 3888782   Vat number: 744 3477 20   © 2010 muso. 
| Contact Us | About Muso | Copyright notice | Make Muso My Homepage | RSS feed | Muso Mailer | Advertise | Accessibility
| Terms And Conditions | Privacy Policy | Sitemap | About social bookmarking |
Back to top  |  Website by Rippleffect.com