musolife.com
Linkanim2

MyMUSO LoginClick here to register

Subscribe to Muso
  • Home
  • News
  • MyMuso
  • Blogs
  • Muso Card
  • Magazine
  • Features
  • Reviews
  • G Spot
  • Concerts
  • Competitions
  • Classifieds
  • Directory
  • Gi's a Job
Shop
Podcast
Big Noise
Forum

Piano tuner

Home / Features  /  Piano tuner
  • Profiles
    • Blake
    • Sir Gilbert Levine
    • Denis Patkovic
    • Karen Geoghegan
    • Jill Kemp
    • Christopher Nupen
    • Jamie Walton
    • Jennifer Pike
    • Deborah Voigt
    • Sophie Cashell
    • View all Profiles
  • School Days
    • Leeds College of Music
    • City University London
    • University of Reading
    • The University of Leeds
    • Yale University
    • University of Wales, Bangor
    • Royal Conservatory of Music
    • Guildhall School of Music & Drama
    • Cardiff University
    • Cleveland Institute of Music
    • View all School Days
  • Wired World
    • The Met: Live in HD
    • Instant concert recordings
    • Slicethepie.com
    • Getting your music online
    • Last.fm
    • Second Life
    • Musicians collaborating online
    • Classical podcasting
    • Computer-generated music
    • Classical music on MySpace
    • View all Wired World
  • Gi's a Job
    • Composing for computer games
    • Composing for children's TV
    • Hospital musicians
    • Costume supervisor
    • Classical music television
    • Sound engineering
    • Piano tuner
    • Music lawyer
    • Teaching amateur musicians
    • Music therapy
    • View all Gi's a Job
  • Other Features
    • Patrick Rapold
    • The Mozart Effect: A musical joke?
    • Rootless
    • There have never been walls
    • View all Other Features
 

POLL

Q Can you make it as a singer without perfect pitch?
Submit vote
Giz a Job

Piano tuner

01 August 2007
Piano tuner

DO ONLY THE LONELY END UP AS PIANO TUNERS? INGE KJEMTRUP FINDS OUT MORE ABOUT A PROFESSION THAT’S IN HIGH DEMAND

Piano tuner
Picture www.istockphoto.com

Imagine belonging to a music profession in which demand exceeds supply and you are greeted only with joy by those who hire you. Plus, you don't have to race madly from one physically taxing gig to the next and you can decide how many hours you work every day. Where can this idyllic job be found? Just ask your local piano tuner.

There's a catch, of course: in the UK, training opportunities for new entrants to the piano tuning profession are few and getting fewer. With fewer tuners entering the system, demand is high. It's hard to know exactly how many tuners there are in the UK, but with the Pianoforte Tuners' Association (PTA) membership at 220, an educated guess might put the number at just over 1,000.

'Virtually every place in the country could benefit from more tuners and it's going to get worse,' says Nigel Donovan, a Cambridge-based tuner-technician and vice president of the PTA. Donovan himself studied at Newark and Sherwood College, which, after a recent takeover by Lincoln University, has shut its piano technology programme, leaving the field clear for London Metropolitan University to host the only UK-based programme.

Unsurprisingly, the PTA is concerned about the lack of training opportunities. The organisation has considered following the example of the United States, where many tuners are trained through correspondence courses, but has discarded that idea as 'not good enough': 'In the first year or two you need someone looking over your shoulder,' says Donovan.

'Tuners only tune; technicians do repairs and restorations'

One place that still boasts in-house apprentice training is Steinway & Sons in London, which employs six tuners, various apprentices and some technicians. They are kept busy. 'We do day-to-day tuning at concert halls, houses and studios,' explains John Anstey, a tuner at Steinway. 'We do minor repairs and attend recording sessions.'

Anstey provides the answer to an important question about his profession: what's the difference between tuners and technicians? 'Tuners only tune; technicians do repairs and restorations,' he says, adding that most technicians are workshop-trained. Anstey calls himself a tuner, and he's worked on instruments played by the world's greatest pianists.

Donovan calls himself a tuner-technician. After he left Newark and Sherwood College he set up as an independent technician working in schools, where he tuned all the pianos at a school once a term. It was an excellent opportunity for a novice tuner, but government funding for these contracts has since dried up and tuning regimes are now set by each school.

Once established, a freelance tuner such as Donovan can choose his or her hours. 'I know some who do seven pianos a day, six days a week. I know very few tuners who haven't got enough work,' he says.

Page 1 of 3  View the full article    Next >

Share

  • Facebook
  • Myspace
  • Digg
  • Delicious
  • reddit
  • StumbleUpon
  • Print
  • Email to friend
  • Discuss
Muso Card Banner June 2008
Muso
Impromptu Publishing Ltd, 2nd Floor, Century House, 11 St Peter's Square, Manchester M2 3DN  Tel:+44 (0) 161 236 9526   Fax: +44 (0) 161 247 7978  Email: info@musolife.com
Company Reg number: 3888782   Vat number: 744 3477 20   © 2008 muso. 
| About Muso | Contact Us | Sitemap | Privacy Policy | Terms And Conditions | Accessibility | Advertise | Muso Mailer
| RSS feed | Make Muso My Homepage | Copyright notice | About social bookmarking |
Back to top  |  Website by Rippleffect.com